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Gender and modern Irish drama / Susan Cannon Harris.

By: Material type: TextTextSeries: Drama and performance studies ; v. 14.Publication details: Bloomington : Indiana University Press, ©2002.Description: 1 online resource (xi, 307 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0253109736
  • 9780253109736
  • 0253341175
  • 9780253341174
Subject(s): Genre/Form: Additional physical formats: Print version:: Gender and modern Irish drama.DDC classification:
  • 822/.91209352042/09417 22
LOC classification:
  • PR8795.W65 H37 2002eb
Online resources:
Contents:
Introduction: bodies and blood -- Body and soul: Yeats, the Famine, and the two Cathleens -- Under siege: blood, borders, and the body politic -- Excess of love: Padraig Pearse and the erotics of sacrifice -- The body of truth: sensationalism and sacrifice in Sean O'Casey's Dublin trilogy -- Misbirth of a nation: Yeats and the Irish Free State.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harr.
Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
eBook eBook e-Library EBSCO Drama Available
Total holds: 0

Includes bibliographical references (pages 287-295) and index.

Introduction: bodies and blood -- Body and soul: Yeats, the Famine, and the two Cathleens -- Under siege: blood, borders, and the body politic -- Excess of love: Padraig Pearse and the erotics of sacrifice -- The body of truth: sensationalism and sacrifice in Sean O'Casey's Dublin trilogy -- Misbirth of a nation: Yeats and the Irish Free State.

Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harr.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Added to collection customer.56279.3

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