Kleist on stage : 1804-1987 / William C. Reeve.
Material type:
TextLanguage: English, German Publication details: Montreal [Que.] : McGill-Queen's University Press, ©1993.Description: 1 online resource (238 pages) : illustrationsContent type: - text
- computer
- online resource
- 9780773563629
- 0773563628
- Kleist, Heinrich von, 1777-1811 -- Stage history
- Kleist, Heinrich von, 1777-1811 -- Dramatic production
- Kleist, Heinrich von, 1777-1811 -- Histoire scénique
- Kleist, Heinrich von, 1777-1811 -- Mise en scène
- Kleist, Heinrich von, 1777-1811
- Kleist, Heinrich von
- Theater -- Europe, German-speaking -- History
- Théâtre -- Germanophonie -- Histoire
- PERFORMING ARTS -- Theater -- History & Criticism
- LITERARY CRITICISM -- Drama
- Theater
- German-speaking Europe
- Aufführung
- Drama
- Geschichte (1804-1987)
- Theatre Production (Arts)
- Germany
- 792.9/5/0943 20
- PT2379 .R45 1993eb
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|
eBook
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e-Library | EBSCO Drama | Available |
Includes index.
Includes bibliographical reference: pages 217-226.
Print version record.
Contents -- Acknowledgments -- Illustrations -- Introduction -- 1 Die Familie Schroffenstein -- 2 Der zerbrochene Krug -- 3 Amphitryon -- 4 Penthesilea -- 5 Das KÃ?thchen von Heilbronn -- 6 Die Hermannsschlacht -- 7 Prinz Friedrich von Homburg -- 8 Conclusion -- Notes -- Works Cited -- Newspapers and Magazines Cited -- Audio-Visual Material -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
Since an account of every known staging would require several volumes, Kleist on Stage is limited to major productions in Germany, Austria, and Switzerland that attracted more than the usual press coverage, and to interpretations and adaptations outside the German-speaking countries. Reeve presents a chronological stage history of each of the plays, beginning with Die Familie Schroffenstein and ending with Prinz Friedrich von Homburg. He also discusses some of the problems faced by a director attempting to put a Kleistian drama on stage, and pleads for greater understanding and cooperation between the academic and theatrical traditions.
Added to collection customer.56279.3