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Fluxus [electronic resource] : the practice of non-duality / Natasha Lushetich.

By: Material type: TextTextPublication details: Amsterdam : Editions Rodopi, 2014.Description: 1 online resource (283 p.)ISBN:
  • 9789401210942 (electronic bk.)
  • 9401210942 (electronic bk.)
Subject(s): Genre/Form: Additional physical formats: b; Print version:: Fluxus.DDC classification:
  • 709.04/60747423 22
LOC classification:
  • N6494 .F55
Online resources:
Contents:
Cover; Title Page; Copyright Page; Table of Contents; Preface and Acknowledgements; Chapter One: Introduction; What is Fluxus; The Two World Theory; A Retrospective Glance; Blind Tactics and De-centered Play; Living Labour and the Production of Social Life; Interexpressive Aesthetics; Structure and Organisation; Chapter Two: Language; Exploding the Playing Field; The Intermedial Genesis of the Event Score; Gameness; Creative-contemplative Interpellation; Pervasiveness; Concluding Thoughts; Chapter Three: Temporality; Temporality and Musicality
The Transference of Deep Listening to Vertical TimeThe Process of Time and Time as Process; The Production of Lived Time in Fluxfilms; The Continuity of Discontinuity; The Braiding of Lived and Phenomenal Time in DurationalPerformance; Concluding Thoughts; Chapter Four: The Sensorium; Interexpressive Aesthetics; Excavating Elemental Intertwinings and Reversibility; Attunement and the Production of Lived Meaning; Modifying the Phenomenological Vector; Intercorporeity; Concluding Thoughts; Chapter Five: Social Rites and Rituals; Deconstructing Ideal Egalitarianism
Towards a Ludic-Concretist Game ModelBlurring the Magical Division; Identity as Alterity; Anomalous Communitas; Concluding Thoughts; Chapter Six: Systems of Economic Exchange; The Problem of Value; Entelecheic or Living Value; The Relational Economics of George Maciunas; Intermediality as a Form of Biopolitical Production; Soliciting Excessive Expenditure; Concluding Thoughts; Chapter Seven: Conclusion: The Logic and Legacy of Fluxing; Refracting the Frame; Expanding the Frame; The Frame as a Protean Activity; Fluxing the Pillars of Consciousness; The Legacy of Fluxing in Art, Life and Theory
Summary: Focusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works - works that fall conceptually between the art and the life media, such as Bengt af Klintbergs's event score: "Eat an orange as if it were an apple" - in five key areas of human experience: language, temporality, the sensorium, social ri.
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Description based upon print version of record.

Cover; Title Page; Copyright Page; Table of Contents; Preface and Acknowledgements; Chapter One: Introduction; What is Fluxus; The Two World Theory; A Retrospective Glance; Blind Tactics and De-centered Play; Living Labour and the Production of Social Life; Interexpressive Aesthetics; Structure and Organisation; Chapter Two: Language; Exploding the Playing Field; The Intermedial Genesis of the Event Score; Gameness; Creative-contemplative Interpellation; Pervasiveness; Concluding Thoughts; Chapter Three: Temporality; Temporality and Musicality

The Transference of Deep Listening to Vertical TimeThe Process of Time and Time as Process; The Production of Lived Time in Fluxfilms; The Continuity of Discontinuity; The Braiding of Lived and Phenomenal Time in DurationalPerformance; Concluding Thoughts; Chapter Four: The Sensorium; Interexpressive Aesthetics; Excavating Elemental Intertwinings and Reversibility; Attunement and the Production of Lived Meaning; Modifying the Phenomenological Vector; Intercorporeity; Concluding Thoughts; Chapter Five: Social Rites and Rituals; Deconstructing Ideal Egalitarianism

Towards a Ludic-Concretist Game ModelBlurring the Magical Division; Identity as Alterity; Anomalous Communitas; Concluding Thoughts; Chapter Six: Systems of Economic Exchange; The Problem of Value; Entelecheic or Living Value; The Relational Economics of George Maciunas; Intermediality as a Form of Biopolitical Production; Soliciting Excessive Expenditure; Concluding Thoughts; Chapter Seven: Conclusion: The Logic and Legacy of Fluxing; Refracting the Frame; Expanding the Frame; The Frame as a Protean Activity; Fluxing the Pillars of Consciousness; The Legacy of Fluxing in Art, Life and Theory

BibliographyIndex

Focusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works - works that fall conceptually between the art and the life media, such as Bengt af Klintbergs's event score: "Eat an orange as if it were an apple" - in five key areas of human experience: language, temporality, the sensorium, social ri.

Description based on print version record.

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