Virtualities : television, media art, and cyberculture / Margaret Morse.
Material type:
TextSeries: Theories of contemporary culture ; v. 21.Publication details: Bloomington : Indiana University Press, ©1998.Description: 1 online resource (xii, 266 pages) : illustrationsContent type: - text
- computer
- online resource
- 058502538X
- 9780585025384
- Virtual reality -- Social aspects
- Communication -- Social aspects
- Television broadcasting -- Social aspects
- Mass media -- Social aspects
- Social interaction
- Computers and civilization
- Réalité virtuelle -- Aspect social
- Communication -- Aspect social
- Télévision -- Aspect social
- Médias -- Aspect social
- Interaction sociale
- Ordinateurs et civilisation
- SOCIAL SCIENCE -- Media Studies
- Communication -- Social aspects
- Computers and civilization
- Mass media -- Social aspects
- Social interaction
- Television broadcasting -- Social aspects
- Virtual reality -- Social aspects
- Virtuele werkelijkheid
- Technologie
- Mens-computer-interactie
- Sociale aspecten
- Virtuelle Realität
- Virtuelle Realität
- 302.23 21
- HM258 .M689 1998eb
- 71.43
- digitized 2010 HathiTrust Digital Library committed to preserve
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds | |
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eBook
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e-Library | EBSCO Social Science | Available |
Includes bibliographical references (pages 243-256) and index.
pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. 2. The News As Performance: The Image As Event -- pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.
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In Virtualities, Margaret Morse focuses on the interactions that people have with machines and images. Morse contends that such interactions, far from being liberating, actually cloak an impoverished public sphere by idealising impersonal relations.
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
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Print version record.
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