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Creating a nation with cloth : women, wealth, and tradition in the Tongan diaspora / Ping-Ann Addo.

By: Material type: TextTextSeries: ASAO studies in Pacific anthropology ; v. 4.Publication details: New York : Berghahn Books, 2013.Edition: 1st edDescription: 1 online resource (xii, 227 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1299777716
  • 9781299777712
  • 9780857458964
  • 0857458965
Subject(s): Additional physical formats: Print version:: Creating a Nation with Cloth : Women, Wealth, and Tradition in the Tongan Diaspora.DDC classification:
  • 305.4099612 23
LOC classification:
  • HQ1868 .A44 2013eb
Online resources:
Contents:
Introduction. Nation, cloth, and diaspora : locating langa fonua -- Migration, tradition, and barkcloth : authentic innovations in textile gifts -- Gender, materiality, and value : Tongan women's cooperatives in New Zealand -- Women, roots, and routes : life histories and life paths -- Gender, kinship, and economics : transacting in prestige and complex ceremonial gifts -- Cash, death, and diaspora : when koloa won't do -- Church, cash, and competition : multi-centrism and modern religion -- Conclusion. Moving, dwelling, and transforming spaces.
Summary: Tongan women living outside of their island homeland create and use hand-made, sometimes hybridized, textiles to maintain and rework their cultural traditions in diaspora. Central to these traditions is an ancient concept of homeland or nation - fonua - which Tongans retain as an anchor for modern nation-building. Utilizing the concept of the "multi-territorial nation," the author questions the notion that living in diaspora is mutually exclusive with authentic cultural production and identity. The globalized nation the women build through gifting their barkcloth and fine mats, challenges the normative idea that nations are always geographically bounded or spatially contiguous. The work suggests that, contrary to prevalent understandings of globalization, global resource flows do not always primarily involve commodities. Focusing on first-generation Tongans in New Zealand and the relationships they forge across generations and throughout the diaspora, the book examines how these communities centralize the diaspora by innovating and adapting traditional cultural forms in unprecedented ways
Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
eBook eBook e-Library EBSCO Social Science Available
Total holds: 0

Includes bibliographical references (pages 204-218) and index.

Introduction. Nation, cloth, and diaspora : locating langa fonua -- Migration, tradition, and barkcloth : authentic innovations in textile gifts -- Gender, materiality, and value : Tongan women's cooperatives in New Zealand -- Women, roots, and routes : life histories and life paths -- Gender, kinship, and economics : transacting in prestige and complex ceremonial gifts -- Cash, death, and diaspora : when koloa won't do -- Church, cash, and competition : multi-centrism and modern religion -- Conclusion. Moving, dwelling, and transforming spaces.

Tongan women living outside of their island homeland create and use hand-made, sometimes hybridized, textiles to maintain and rework their cultural traditions in diaspora. Central to these traditions is an ancient concept of homeland or nation - fonua - which Tongans retain as an anchor for modern nation-building. Utilizing the concept of the "multi-territorial nation," the author questions the notion that living in diaspora is mutually exclusive with authentic cultural production and identity. The globalized nation the women build through gifting their barkcloth and fine mats, challenges the normative idea that nations are always geographically bounded or spatially contiguous. The work suggests that, contrary to prevalent understandings of globalization, global resource flows do not always primarily involve commodities. Focusing on first-generation Tongans in New Zealand and the relationships they forge across generations and throughout the diaspora, the book examines how these communities centralize the diaspora by innovating and adapting traditional cultural forms in unprecedented ways

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