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019 _a973763652
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020 _a9781469606750
_q(electronic bk.)
020 _a1469606755
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020 _a9780807831489
_q(electronic bk.)
020 _a0807831484
_q(electronic bk.)
020 _z0807831484
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020 _z9780807858417
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020 _z0807858412
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043 _an-us---
050 4 _aPN1995.9.N4 .R58 2012
072 7 _aPER
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082 0 4 _a791.43652996073
100 1 _aRobinson, Cedric J.
_9348781
245 1 0 _aForgeries of Memory and Meaning :
_bBlacks and the Regimes of Race in American Theater and Film before World War II.
260 _aChapel Hill :
_bThe University of North Carolina Press,
_c2012.
300 _a1 online resource (454 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
588 0 _aPrint version record.
505 0 _aPreface; Acknowledgments; 1 The Inventions of the Negro; 2 In the Year 1915: D.W. Griffith and the Rewhitening of America; 3 Blackface Minstrelsy and Black Resistance; 4 Resistance and Imitation in Early Black Cinema; 5 The Racial Regimes of the "Golden Age"; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
520 _aCedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive r.
504 _aIncludes bibliographical references (pages 381-403) and index.
546 _aEnglish.
600 1 0 _aShakespeare, William,
_d1564-1616.
_tOthello.
_9288945
650 0 _aAfrican Americans in motion pictures.
_9232323
650 0 _aAfrican Americans in the performing arts.
_9468678
650 6 _aNoirs américains au cinéma.
_9262273
650 6 _aNoirs américains dans les arts du spectacle.
_91044018
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
_9266061
630 0 7 _aOthello (Shakespeare, William)
_2fast
_9288949
650 7 _aAfrican Americans in motion pictures
_2fast
_9232323
650 7 _aAfrican Americans in the performing arts
_2fast
_9468678
650 7 _aMusic, Dance, Drama & Film.
_2hilcc
_932672
650 7 _aFilm.
_2hilcc
_9220627
758 _ihas work:
_aForgeries of memory and meaning (Text)
_1https://id.oclc.org/worldcat/entity/E39PCH6hbcmtkbTCB3Y9vX88JC
_4https://id.oclc.org/worldcat/ontology/hasWork
776 0 8 _iPrint version:
_aRobinson, Cedric J.
_tForgeries of Memory and Meaning : Blacks and the Regimes of Race in American Theater and Film before World War II.
_dChapel Hill : The University of North Carolina Press, ©2012
_z9780807858417
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=503241
938 _aYBP Library Services
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938 _aEBSCOhost
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938 _aProQuest Ebook Central
_bEBLB
_nEBL934363
938 _aInternet Archive
_bINAR
_nforgeriesofmemor0000robi
999 _c747713
_d747713